This
drill, best learned with a snorkel, introduces the skill of taking a
single stroke to turn from a side-glide position on one side of your
body to a side-glide position on the other side. Start by pushing off
from the wall. Begin kicking easily in a side-glide nose-down position
(figure 5.4a).
Check your posture and balance feedback tools. Recover your side arm
above the surface of the water. As that hand passes your head (figure
5.4b), use one of your kicks to begin rotating your body, keeping your nose
pointed down. As your core rotation begins, your recovering hand should
enter the water and the other arm should begin the stroke (figure 5.4c).
Your hands should pass each other in the passing zone. Continue the stroke (figure 5.4d) while rotating toward the other side-glide position. You want your rotation to reach the other side-glide position just as the arm stroke finishes at your thigh.
You should now be in a side-glide nose-down position (figure 5.4e). Take a few breaths as you continue to kick easily. Check your posture and balance feedback tools as you continue kicking on your side a little longer.
Repeat these actions for each arm for the entire length of the pool.
Your hands should pass each other in the passing zone. Continue the stroke (figure 5.4d) while rotating toward the other side-glide position. You want your rotation to reach the other side-glide position just as the arm stroke finishes at your thigh.
You should now be in a side-glide nose-down position (figure 5.4e). Take a few breaths as you continue to kick easily. Check your posture and balance feedback tools as you continue kicking on your side a little longer.
Repeat these actions for each arm for the entire length of the pool.
The key to properly timing the arm’s motion with a rotation kick is to have your hand enter the water just as the leg on the opposite side kicks forward (the downbeat of the kick). Alternatively, you can focus on your hand entering the water just as the leg on the same side
recovers backward (the upbeat of the kick). It will be easier to pair a
hand entry with a kick on one side than on the other. Getting a feel
now for either or both of these pairings will help you later when you
start connecting multiple strokes to rhythmic rotations.
Once you’ve mastered this drill while
using a snorkel, it’s time to add real breathing motions. Without the
snorkel, start side-gliding with your nose down and begin the drill as
you did before. As the rotation and stroke begin, however, allow your
head to turn with your body instead of remaining nose-down. You will end
up in a side-glide nose-up position at the end of the stroke instead of
in a nose-down position. Take a few breaths as you continue to kick
easily. Check your posture and balance feedback tools. Turn your head
back to a nose-down position. You are now in a starting position on the
opposite side from where you started. Check your posture and balance
again as you remain on your side for a few more kicks. Repeat these
actions for each arm for the entire length of the pool.
Despite the work you did in the SGB
drill, you may still tend to lift your head or upper body as your body
rotates to the nose-up position. Turning your head separately makes this
situation even worse. Instead, proactively use the red-dot focus point
to keep your head low as you turn for air. Also try using the strategy
that you used to start the SGNU drill, holding your breath until you are
sure that you are balanced and comfortable. Practice until you
consistently rotate directly to a balanced nose-up position without
having to readjust or “settle.”
Be patient with the SGSS drill. Your
brain and body may want to rush into the next stroke right away. Resist
this temptation. Instead, each time you get to the next side-glide
position, pause long enough to assess, correct, and plan ahead by doing the following:• Assess the position you finished the rotation in—posture, balance, lead arm angle—and how you got there. By the time you start the SGSS drill, you should have done enough side-gliding and spent enough time checking each of the feedback tools to know whether you have finished with an impeccable, horizontal tight line.
• Correct any flaws in your posture, balance, or position.
• Plan ahead for the next repetition. Decide whether you need to make any changes, and mentally rehearse your next step before continuing.
As you improve at the SGSS drill, you
will gain confidence in your ability to maintain your posture and
balance as you rotate, seldom or never needing to make corrections after
assessing your performance.
Stepping-Stone to SGSS
If you find it difficult to stay in
balance with your lead arm and your passing zone in front of your head,
try the following: Instead of rotating completely from one side to the
other, stop halfway, when you are flat on your front, with both arms
extended in front of you. Continue kicking in this position for several
seconds until you are sure that you are balanced. Then continue the
rotation and stroke to your other side.
Feedback Tools
• You already know, and should use, all the feedback tools for your side-glide positions.
• Keep pressure on your buoy as you rotate so that your hips stay at the surface throughout the rotation to your other side. If your butt does not remain at the surface of the water as you rotate and if you are not able to feel your flank (or the dry strip of flesh on the side arm all the way to your wrist) exposed just as you get to the side-glide position, then you have either (1) lost your tight line, (2) lost buoy pressure, or (3) lifted your head. A lifted head is the most likely culprit, and it will almost certainly cause you to lose your buoy pressure and your tight line.
• When you are not using a snorkel, check that your head and body rotate as a single unit rather than head first or body first. Think, Head and hips move together.
Experiment a Bit
With practice, you will gradually spend less time in each side-glide position checking your balance and posture. You can then experiment by performing some of the repeats without turning your head to breathe, remaining nose down. Common breathing patterns include breathing every second repeat or every third repeat. Of course, experimenting with shifting between schlumpy and tight-line postures should be a habit by now.The SGSS drill is a great tool for learning a variety of concepts and skills that you’ll eventually apply to other drills and to full-stroke swimming. Each of these concepts and skills will, in turn, refine your execution of the SGSS drill. Before moving on to the next drill, spend some time working on each of the following focus points, one at a time, in the SGSS drill.
FOCUS POINT ➤ Pierce (Not Push) Down to Extension
It is important how you
extend your arm at a downward angle in the water. As you begin to
rotate, your fingertips should pierce the surface of the water and then
continue along a straight line, at a slight downward angle, until your
arm is fully extended. You also want your forearm to slide through the
same small hole that your hand did. A common error is to extend the arm
straight forward, either just above or just below the surface, and to
then push the hand and arm down to the desired angle. This puts
unnecessary stress on the shoulder, forces your front end up and your
hips down, and wastes energy.
Most novice and intermediate swimmers
are rear-quadrant swimmers. To make the change to front-quadrant
swimming, it is useful to sometimes exaggerate the arm timing a bit.
Imagine that the extended hand has a loose-fitting glove on it. Leave it
extended as you begin to rotate and as the other hand pierces the
surface of the water forward and down toward the top of the extended
hand. As soon as the fingertips slip under the cuff of the glove, the
palm of the glove opens, allowing the extended arm to start stroking
while the recovering hand continues to slide forward fully into the
glove. The idea is to transfer the imaginary
glove from hand to hand out in front at the extension point. Note that
this is an exaggerated movement for instructive purposes only, and that
when swimming normally, the two hands will not actually touch. You will,
however, want the recovering hand to almost catch up to the extended
hand before the extended arm begins the next stroke—hence, the
passing-zone concept.
The glove focus point gives you a good
feeling for where your arms should be longitudinally, but it has each
hand entering and extending along a line directly in front of your
head—as if you were moving along a monorail. What you want at any time
you are not using
the glove focus point is for each hand to enter and extend directly in
front of its own shoulder—as if you were moving along a standard
two-rail track with rails roughly shoulder-width apart. Taking wide
tracking a step further, you want the general lines of the strokes to be
shoulder-width apart as well.
FOCUS POINT ➤ Patches and Cheeks
Good balance means keeping a horizontal position at all times with your
hips right at the surface. When swimming or when doing any drill that
involves body rotation, focus on keeping a patch of skin on one hip or
thigh just below your suit, or one or both butt cheeks, exposed to the
air at all times—especially when breathing. A combination of tight-line
posture and sufficient buoy pressure is required. Lifting the head or
using a hand to push down on the water in front of the body will quickly
sink the hips.
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